Instead, Image Engine needed to employ creative tricks to convey the cavernous nature of the space: “We tried all sorts of things like adding some really nice architectural lighting” says Davidson. “The room was extremely dark, so it took a lot of work to define the features of the room and create a drop off point where our extension would begin,” says Shane Davidson, compositing supervisor.Īs there were few moving camera shots, the team could not rely on effects such as parallax to communicate the size of the room. The challenge was further enhanced in that the sequence was shot in a room surrounded by shadow. That meant a great deal of roto work, given there was no green screen on the set.” “We opened the room up more, and added a CG set extension consisting of columns, alcoves and sentinel-like monster statues. “The production realised that what they had shot on the day for the chamber just wasn’t grand enough – they wanted something bigger and more impressive,” explains Mat Krentz, visual effects supervisor. One of the most challenging components of Image Engine’s work on The Last Witch Hunter involved the CG set extension of the witch council’s chamber, which comprised 40 of the team’s 148 shots.Īs with many of the shots throughout the project, no visual effects enhancements were originally planned for the witch council set. Read on to find out how Image Engine helped build out the mystical world of The Last Witch Hunter, all without the aid of a preparatory visual effects process. Image Engine was called in at the 11th hour to provide this work.” “They were looking for a studio that could handle a lot of varied creative challenges in a short span of time. “ The Last Witch Hunter team chose to extend their production schedule in order to add extra visual effects elements,” explains Shawn Walsh, visual effects executive producer. Such was the case with The Last Witch Hunter, a project that saw Image Engine flex its generalist skillset.

Some projects just need those finishing touches that bring their last 5% to life. However, not every project requires one thousand shots of a central hero character like Chappie, or stunning CG sequences like those witnessed in Teenage Mutant Ninja Turtles. Image Engine has established a reputation for working on some of the most exciting visual effects in recent years, delivering believable characters and action-packed sequences of such vivid beauty that they almost burst from the screen.

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